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I'm at
a cliff's edge when the sun temporarily blinds me, and makes me lose
all sense of direction. One foot forward, I think, must be empty
space, two steps back firm, dry land. But in the confusion, I must
have turned myself ever so slightly so that when I stepped back my
left foot found air. For a second, it hovered there like a tightrope
walker finding his or her place on a high wire. Has anyone, I
wondered, ever completed this act heel-toe and not toe-heel? I
wobbled which instantly brought my mind back to my perilous position
and sharpened my blinded senses. I carefully drew my left foot
towards its companion and heaved a mighty sigh when the pair were
once again parallel as they naturally should be.
I
remember thinking how I would have undoubtedly fallen if it hadn't
been for all those years of flamingo-style yoga poses. Go me!
High-five! I wiggled my toes rather too deliciously for in doing so
my confidence rose and I took two steps forward without so much as a
second thought feeling sure I would find secure ground. Instead I
tumbled down the cliff face like a young bird learning how to fly. My
arms escaped from my sides, but still I dropped like a stone or how a
pebble is thrown to skim the sea's surface. I grazed rocks and
bounced off ledges, but luckily due to the speed at which I was
falling as well as my blindness I couldn't see the obstacles as they
rushed towards me, although the wind was knocked out of with me with
surprising regularity. I was pretty much convinced I was a doomed rag
doll.
And yet
in that dazzling sun, I'd done what we've all done in such
circumstances: tempted fate. I'd thought I'd escaped from a close
call, but that smugness had only sent me plunging to what I was sure
would be my eventual death.
It's
funny how the mind focuses on random musings in such situations, and
how seconds seem to last for the longest time. I expected to see the
life I'd half-lived flash before my inward eyes, but no instead I
pondered death; more precisely its purported figure. Was Death hooded
and as grim as fables say? If Death had a face, what would it look
like? Could Death be the opposite to what we've been led to believe
and be a benevolent figure?
Unfortunately,
as I was about to form my own answers to these matters, my unplanned
dive was put to a sudden end as I ricocheted off a fine strip of
sand like an aeroplane making an ungainly landing.
I think
I must have blacked out for a couple of minutes, but when I stiffly
came to I had remarkably recovered my eyesight. My head pounded with
the same rhythm as the surf, and boy was I bruised and aching, but
apart from that I was notably intact and alive. The sun was still
overhead and painfully bright, yet in the distance I thought I could
make out a momentous reddish-brown rock with a gateway through its
centre. Even from afar it looked as though it was some majestic
sculpture, beautifully crafted from hours of labour.
I
pulled myself awkwardly to my feet with many anguished groans and
began to hobble towards it. I reasoned that if I was in the vicinity
of such a landmark there would be more chance of a rescue, because
otherwise day-trippers or bathers were thin on the ground. And as I
slowly walked or at one point crawled on my knees, I realised the
structure wasn't as far off as I'd estimated, unless it was
gravitating towards me and not me to it. At any rate, I reached it
sooner than I anticipated and lost my breath all over again for the
reddish-brown rock was the face and torso of a man.
And
what a man with shoulder-length locks and a beatific expression.
Dreaming of who knows what, but it certainly made you think that
whatever he might have done in the past he had been pardoned and
profusely blessed.
For
once, there was no internal debate, I passed through the gateway to
the land beyond. Who would have guessed that Death for me was a
general of the West with a hole in this chest: Shakespeare's Othello.
Picture Credit: Othello Dreaming Venice, Salvador Dali
A poppy
sprung up, ruby-red, next to some barbed wire. Where am I here? he
asked the thistles that grew alongside him. Where are others of my
kin?
But
thistles of course act as guards and never make intelligent
conversation. They waved each day in the golden sunlight or in the
light breeze, if there was one. They shooed birds and bees away from
his blood-red petals. Don't rest here, they seemed to say, he is
protected.
And
while the long green grasses were softer, they weren't much better.
They whispered nonsense and at times tried to smother him. Tried to
conceal that he, in all his loneliness, existed. You're not wanted,
they told him. Why did you bloom here? Don't you see the barbed wire?
I had
no choice in the matter, the poppy replied every time, I want my
mother.
A
mother, a father, a home, those times seemed like so long ago. But he
was sure that there had been a life before this. How did I come to be
here? A lone poppy in an overgrown field or meadow?
Do
other poppies think as I do? There was not another to ask, not that
he could see.
The
soil he was in was a hard brown-red, which to him seemed unusual. The
colour didn't seem true to natural earth. Shouldn't it be darker –
more of a brown than a red? Did something happen here that as a poppy
I can't remember?
The
barbed wire remained taut and hostile, almost as if it wanted to
prick his memory. Every so often, he tried to communicate: What is
it? Tell me. But nothing so far had worked.
Until
one day, he pleaded: Please, if you know something, anything, put me
out of my misery.
How can
I keep returning to this same lonely spot, year after year, if the
truth of how I came to be here is clouded?
And
this time, it must have touched a raw nerve.
The
horror will not be forgot, the barbed wire said, if I told you. Are
you sure you want to know? Once you remember, your innocence will
again be lost.
But I
need to know why I stand here, away from places where I presume many
others bloom?
You
were a spy here. Working alone against the enemy. You were so scared,
you got careless. In your short military career, you'd seen others
fallen. But I don't know all the facts, other than that you were
young and fell here with no fellow countryman to cradle your head as
you took your last dying breath. It was a pitiful death, and I'm
supposed to be neutral, but how could I be when you fell almost upon
me? War is senseless.
The
barbed wire spoke so pragmatically that the poppy did not feel
distressed hearing his own story. It had been too long for that, but
hazy memories did come back of a war he'd been involved in. A war
that had shook him, shook him to his very core, and all those around
him. So many lost, wounded, bloody; displaced within their own mind
and body. No good came from war, whether at home or abroad.
These
cold, hard facts made him feel detached, but thoughtful for there was
no going back, what had happened had happened. It was just a fragment
of his past. The barbed wire wouldn't tell him how his life had been
put to an end: whether he'd been shot or fatally wounded in some
other way. In the wrong place at the wrong time was all he would say.
A poor lamb who'd lain dead, his blood seeping into the earth, until
a deserter had stumbled upon him in his slumber, closed his glassy
eyes and quietly buried him.
At
least I was given my dignity, the poppy thought, others may not have
been as lucky.
The
barbed wire in his dry, impersonal tone continued his monologue:
There's no need now for you to dwell on this matter. Those living see
the beauty of the poppy, but also the colour red and remember the
bloodshed. You will never be forgot...
The
boy's soul could finally leave.
The
poppy was a poppy once more, just a red petalled head gently nodding
in the breeze.
Picture Credit: Peter Francis
Coincidences
happen to me quite a lot. The chronology of these sometimes seems
backwards, like a reverse history lesson or being rewound to a
preceding time or event. With the story I'm about to narrate, I'm not
sure where we are in the present state - whether all the occurrences
have happened, are about to, or if they're way off in the future, but
what I can tell you is that in this created land they're talked of as
if they've passed.
The
Balloonist in Enemy Land,
which I'd read as part of a short story course and penned a
condescending essay about, somehow opened up a window. Persons and
details sought me out: a nutty professor or two, radio and television
interviews, and newspaper clippings all seeming to confirm that this
land actually existed. Sometimes it was just a tenuous link, which
another person may have ignored, but I found it hard to believe that
a such a small piece of information could find me through all other
day-to-day trivia, so foolish as it may yet prove to be I listened.
And here is what I've managed to cobble together.
*
Many,
many years ago, a company of grey squirrels nibbled off a section of
Surrey parkland and hid it. They painstakingly pulled up the roots of
newly-planted trees and transplanted them, the same as hair follicles
are to men going thin on top, to a sparse, long-forgotten beauty
spot. It grew into a kind of beautiful, elevated wilderness which in
certain places had panoramic views of the sort that any landscape
photographer would wish to capture. The flattish pasture with its
finger-bowl dips would have been pleasing to the human eye, if it
was artistically inclined, along with its weird phenomena, but
humans, as you've probably guessed, were not permitted.
The few
that trespassed saw sights that have never been fully explained.
Here, it is said mushrooms grow to towering heights, dwarfing
microscopic infect life and other plants or creatures; black cherries
thrive underground, turn into a bubbling jam and ooze like a volcano
about to erupt; and ordinarily passive song birds turn into spies
with warbling cries and hunting knives.
Other
than the balloonist, who had inadvertently drifted in, only one small
boy, named Jim, purposely stole in and got further without detection.
The grey squirrels eventually captured him and released him on the
border, where he stumbled home to speak of other strange things to
his mother: clockwork robins made of brown sugar and grinning,
guitar-playing sunflowers. Jim was put to bed, as the probable cause,
his physician said, was eating an hallucinogenic mushroom, but once
the fuss had died down the family quite literally disappeared. Packed
up and left without a single word to their friends or neighbours.
Humans
were indeed the enemy. And why wouldn't we be? After labelling them
pests and blaming them for the demise of Reds, for culling and
poisoning them. Tired of being persecuted, wouldn't you choose to
build a hidden land of your very own?
But
they lacked one thing: strong leadership. Grey squirrels only know
how to bicker and fist-fight. They needed a general to head their
battalion and fast. As chance would have it, a toy car, who'd escaped
from the clutches of his boisterous owner, at that time was accosted
by a blackbird. Unbelievably, the car spoke English and reasonable
Squirrel, which, despite the high-pitched voice and size difference
made him perfect for the job.
General
Smart immediately instilled order and keeps the peace, to this day,
in his squirrel brigade, even between his boys and their spouses. But
when it comes to man even he sometimes struggles to control them for
this after all is not a land for those seen as enemies. This is grey
squirrel territory, and you'd be wise to remember that.
Picture Credit: Peter Francis
The
balloon's buoyant red and yellow stripes began to slowly wilt,
whereas only moments ago it had cast a pleasing shade over the
terrain beneath. A flock of blackbirds with talons as razor-sharp as
hunting knives had attacked with warbled cries, leaving small
puncture wounds and a defeated balloonist. Here was a guy who
considered himself a friend to all nature, but the nature here had
made their feelings quite clear.
It was
only right that he should feel dejected. How easy and quick it was to
make enemies here, to be unwanted. In other lands, he'd always been
welcomed; the sight of a hot air balloon brought peoples out and
there would be dancing in traditional costumes, but the likelihood of
that happening here was remote.
He
searched the basket's floor for his telescope, extended it as far as
he could and put it to his favoured eye. He must try to steer the
balloon to a spot where it could land. The scenery was lush and
reminded him very much of the Surrey Hills in all its spring glory,
except the lay of the land was a little flatter and not as craggy. He
spied what appeared to be a some sort of viewing platform, which was
overhung by a clump of umbrella-shaped trees; he couldn't see any
branches or leaves, just a smooth capped top, but as the injured
balloon was sliding gracefully in this direction, he decided it would
be the best place to touch down.
He
adjusted the solid-fuel brazier, still helping to keep the balloon
somewhat afloat, to aid the emergency landing. The balloon dropped
even more from the position it held in the white cloud-filled sky,
steadily lowering until it dangled above what turned out to be
gigantic fungi trees. The basket bounced off their velvety domes,
swung a little wide like a clock's pendulum and landed with a bump on
what looked to be tarmacked ground, whereupon it toppled over and the
balloonist found himself sprawled on a surprisingly firm, yet squishy
surface. The cracks oozed a gooey blackness like how you expect to
find the inside of a chocolate fondant if done perfectly, but it
didn't smell of tar; he sniffed his palm and licked it – it was
cherry with just a hint of sourness - which sent the receptors on his
tongue into overdrive.
Now
wild for cherry jam, he turned into a jabbering man and hunted for a
tool to dig with, halting only when he heard an orchestra of car
alarms and the rhythmic march of feet. This army, if indeed that was
what was coming, sounded terrifying; the boots and alarms pierced his
skull like nails being drilled into his head.
He
sprang into a different sort of action: he righted the basket,
climbed in, scrunched himself up and peered over its edge, but to his
horror he saw the spongelike ground had betrayed him and it was far
too late to cover his hand, knee, foot, and body prints or dive
behind a mushroom for the green foliage ahead was visibly shaking.
A
hundred-plus grey squirrels wearing spiky black helmets marched as a
disciplined band; their eyes flashing a dangerous red, their front
and hind legs keeping time with the ringing alarms. They lined up on
their hind legs ten to a row – five on the right, five on the left,
leaving a centre aisle – and awaited further instructions;
unmoving, their flashing eyes died and the alarms were silenced. The
balloonist by this point had broken out in a cold sweat, and the
eerie calm that now descended did nothing to alleviate his fears.
There
was a toot of a horn and a tiny car rolled up the centre aisle as
smooth as a marble or metal ball bearing. It locked its wheels by
braking too late and pulled up with a screech to face the grey
squirrel army. Unperturbed, they shuffled to the left, then to the
right and twice saluted their general. The car driver's window slid
down and a high-pitched voice like that of a flea boomed out, “Okay
boys, let him have it!” About eighty squirrels charged, snipped the
deflated balloon from its basket with their pointed teeth and
fastened it to an enormous sycamore propeller which they wound with
fifteen quick twists and let go. The basket shot up and across the
foreign sky with the cherry-stained flyer's last ever cry: GERONIMO!
Picture credit: Peter Francis
Inspired
by a line from a JG Ballard novel, I decided to draw a map of myself,
but of course to do that I first needed a little help. I called an
old friend and was deliberately cryptic, asking her if she could
possibly spare me some time on this murky Sunday morning. Intrigued
she agreed and was at my front door within the hour. I ushered her in
and being enthused by my pet project showed her none of my usual
hospitality. She wasn't permitted to throw her handbag down or take
her coat off, although I had insisted she removed her shoes before I
shoved her through to the living room. There was no time to lose!
The
room, I admit, was in a bit of disarray, which my friend would tell
you was highly unusual as I'm scrupulously clean. The sink was piled
with dirty dishes from Saturday's dinner and this morning's hurried
breakfast; the air smelt faintly of spices and banana porridge. The
table was littered with debris: more dirty crockery, salt and pepper
shakers, a smear of dried tomato sauce, along with a carelessly
flung-down pair of large scissors and tiny screwed up balls of
sellotape. The carpeted floor was strewn with blank A3 sheets of
paper, some of torn or trampled.
Luckily,
my good friend has seen worse, so said not a word, although I have to
say that being in the 'moment' I wasn't too shamed by how it must
have looked. That happened in the next couple of days once my
creative-manic phase was well and truly over.
“So
what's the emergency?” She enquired, standing in her outer wear and
pink socked feet.
“Draw
round me!” I barked, flinging myself down on sheets of A3
sellotaped together.
Thank
god my friend has the patience of a saint!
She
knelt, handbag still clamped on her shoulder and picked up the green
felt tip I'd selected earlier, as I stretched fully-clothed, lying
face up, on my paper rug.
Where
was the best place, she said, to begin? Head or feet? I personally
thought the left side of my neck, so that's what I told her, and then
the pen's tickle began.
She was
cautious at first, but grew bolder as she got used to being inches
away from my physical frame. Her grip on the pen more sure as her
mind let go and entered the flow of tracing my contours. I wanted it
to be exact, no half measures. My friend knew all too well my
perfectionist streak so I hadn't needed to tell her, and besides from
my vantage point I could easily see the concentration etched on her
sweet face.
The pen
tickled my ribs so that I bit the inside of my lip and tasted my own
iron-rich blood. Its nib caressed in-between my long fingers and I
inwardly squirmed. Don't move, I soundlessly commanded myself, you'll
spoil the art.
“Done.”
She said, sitting back on her heels and capping the felt tip with a
satisfied click.
I
slowly got up from my prostate position, being careful not to crease
the paper, and stood over our joint creation. The bird's eye view was
just as I hoped. It was like a looped coastal path that started and
ended at the same location, but the landscape it contained was empty.
My
friend had left me admiring the outline of myself to pour herself a
lukewarm mug of coffee. She returned to my awestruck side, mug in
hand, “Anything else, your Ladyship?”
“No
ta”, I replied giving her a quick sidelong glance and a half
crescent smile. “Right then, I'll be off.” She said, padding
unobtrusively again to the kitchen and then the front door, letting
herself softly out.
Afterwards,
I felt bad for dragging her to my place on a Sunday, but at the time
I was on a creative roll, at the peak of a very high mountain.
Pursuing art can be like that sometimes; the map of myself far more
important than anything else, including others plans.
The
coloured pencils had gone to work before the front door had even
lightly touched its frame. My stomach became the sea with white
crests and sail boats; my heart was a Museum with Grecian pillars,
and my head was crammed with rows of books. Mapping my body with the
places I've seen and things that I loved was an all-consuming art.