The
memories we hoard, the photos, the audio files, the stories, ours and
those related to us. Words on a page become not just words on a page
telling a story, an entirely unconnected story, but personal
memories. Like a bird tapping with its beak, they tap, tap, tap and
unlock them. The mind is flooded while the eyes still roam over the
page where this other story of other lives is being told.
Food
does it best. A tin of evaporated milk is mentioned and I see it,
taste it, smell it, remember it poured on cereal, corn or bran
flakes. Carnation. (Am I confusing it with condensed? It was likely
there was both in their unmistakeable tins.) Meat wrapped in paper
and I see ham sliced by the village butcher, feel the paper. Sensory
doors have been opened.
Sometimes
it's characters. I see myself in them – as I was, as I am – or I
understand their perspective. Or I see in them a relative and perhaps
appreciate what I overlooked or failed to grasp. Or I answer them
back, argue with them, for they have touched on a subject I knew but
didn't know how much I was sensitive to. Schizophrenia.
Why
speak of it? Why think on it? Because we are all stories, many
stories. Because dead is not dead.
Picture credit: Woodpecker Tapestry, 1885, William Morris (source: WikiArt)
See Moral
Disorder by Margaret Atwood.
From
journal, May 2023.