Would
you at any point in your life want to be described as 'truly
infectious'? Professionally speaking, whatever your profession may
be, in a general summing up of character or possibly a recognisable
trait such as a laugh? Though such laughter if it's also the belly
quaking sort is usually described as contagious which is, I think
you'll agree, another dubious choice, despite the laughter being
exactly that: caught and passed on indiscriminately, like disease.
Somebody's
personality, I gather, can be infectious but naming it thus does make
it sound rather unpleasant, as if one should be immunised against it
or take precautions to avoid at all costs. Last year however 'truly
infectious' was uttered by quite a few lips in homage to someone and
with each utterance I almost recoiled. How horrid!
I
say almost because it wasn't pure revulsion for I understood its
meaning was complimentary and yet something within me still thought:
surely you could have used a more pleasing phrase, not just to the
ear but to the eye.
The
phrase every time immediately brought to mind Philip Roth's Nemesis,
which is about the scourge of polio in Newark, New Jersey, 1944. The
main protagonist, Eugene (Bucky) Cantor would not, I think, have
welcomed being seen as infectious, either positively in regards to
his work as a playground director or later, as he came to believe, as
a carrier of the disease where the damage done was largely
irreversible and often disfiguring. That he came to think this way of
himself was punishment upon punishment because polio finally got him
too and left its mark. It infected everything, whereas in the
innocuous stage he was a witness, doing what he could when he could,
and polio was the foe that none of the community could account for
and were all in fear of. When it pegged him, with certainty despite
lacking in evident symptoms, that all changed.
Of
course it was a false accusation, and by none other than Bucky
himself, because even if he was throughout the event a carrier it
was unknowingly so; therefore he's blameless. He, even before, and
upon diagnosis judges otherwise. I didn't however (in my reading)
think that was the case: his catching of the disease was
circumstantial. I rightly or wrongly concluded that when no answer
from God was forthcoming he took it upon himself: willed himself to
believe he was indeed the agent, which, as he suffered but survived,
made him culpable and undeserving of any good that might later befall
him.
It's
easily done when nobody's too sure of the causes and everything's
viewed with suspicion, including the very elements that give and
sustain life: air and water and food. To think that these are
poisonous must have been crippling even without contracting the
disease that could cause exactly that. To exist alongside fear, in
whatever capacity: man-made, airborne, poor sanitation etc., is
strangulating and divisional.
History
attests to it: TB, HIV, Aids and Ebola, because little was known and
there was nothing to prevent its spread or effect a cure. In short,
there was a growing list of suspects, rumour-driven and not
evidence-based, because anything at the time of an outbreak was a
likely source.
For
Bucky, after his disengagement with God, to come to believe, firmly
believe, that he's the most obvious and logical cause of much
suffering seems omnipotent, even that it's a story he's had to tell
himself to apologize for what he feels were evading actions when all
along the God he was seeking answers from had provided him with the
answer: HIM. It's very sad that someone's life could be so destroyed
when others somehow make the best of what life offers: good or bad.
But experiences can do that to you; it only takes one event to blow
the positives to smithereens, which even the strongest-willed in the
world find it hard to bounce back from.
Or
be the same person after. The latter is often an impossible task, far
less accomplished in full than in half-measures. A sort of existence
and a lengthy wait for all associations to fade, if ever.
So,
would you now choose to say of someone 'you're truly infectious'?
Picture credit: An Egyptian stele thought to represent a Polio victim, 18th Dynasty, 1403-1365 BC. Source: Wikipedia.org
Thursday, 31 May 2018
Thursday, 24 May 2018
Some Place
Yes,
I realise I'm late in writing about this as it's 'so last year' but
as it did then it has returned to prod me, probably because as I
said I didn't write about it at the time even though it occurred to
me that I had (and do) experience the same weird phenomenon. And you
still haven't a clue what I'm talking of do you?
Duh basic English 101. Yeah, well I don't believe in creative writing instruction - I'm not a writer. I just write, spin whatever yarn comes out, you know. To hell with structure and gripping the reader. I mean really who cares?
Though that's not true; I do, but formulating how to put thoughts down on a screen page so that a reader, any bog-standard reader, might get them takes time, too much sometimes, and interrupts the flow. The beat, man. And so in this instance I'm divesting myself of it. Whoa, that's a big word: divesting, and I'm pretty sure it's not one I've used before. In a sentence. It's not usually the type of word I'd choose; I'd normally use something like abandon or remove. Oh well, it does the same job.
Anyhow, if I haven't completely lost you, let's go back to the beginning. In the beginning was the Word...no, that's not what I intended...try, try, try again. In the beginning...nope. At the beginning...at the beginning was Fargo. Year 3 with Ewan McGregor. Yes, yes he gave an excellent performance as both Stussy brothers, but it's chief of police Gloria Burgle I want to talk of, sort of. Because like her I've experienced moments where my very existence is called into question by sensors.
Am I a Hologram like Rimmer in Red Dwarf? Different show I know, but is it a possibility? Dunno. Which is the best way to answer anything you dunno basically. But we'll park that potential theory because whilst there could be some truth in it it's amateurish and I don't know anyone who has that expertise and could tell me definitively whether I am, whether I'm not, whether I'm showing signs of etc. Plus I'm not ready to be a lab rat. Not even if the mad scientist fronting the whole she-bang was strangely alluring. And no, I don't think I'd cope with The Big Bang Theory Sheldon or Howard-type either. Can you imagine? No don't! Primo Levi from what I've read (and if he were still with us) would be more inducive, but then his field was chemistry, metals and paint. Oliver Sacks? Hasn't he too departed?
So now you'll have got it into your head I'm a science dork with a penchant for extremely dark but laughable criminal acts. Actually, perhaps that's not far off the mark. The last part anyhow.
No, no, no what am I saying? That's way off. Way, way off. Science, pah! I know nothing. Well ok, some but it's a jumble and essentially worthless. I couldn't string anything together and present it to you here. It would take years. How long have you got...?
Criminality? I'm an ignoramus. The deeds others do, even minor ones, blow my mind. Not necessarily the impulse but why the execution. A thought has the same result but nobody gets harmed. Though I'm not sure a thief would be happy with virtual spoils. Would you be if that was your profession? Please circle one of the following: Bank Robber/ Store Thief/ Fraudster/ Embezzler. I mean nobody would openly admit to it would they if it became a thing on a form, though less I think for the disapproval than the removal of risk and confiscation of stolen property. Hmm, perhaps we're all just petty crooks in one shape or another? Love a bargain me. Yet I think I've just flunked the criminal class of '18 don't you? Too goddamn honest. It should be my middle name.
Glory be my name. Nope, wrong again. It was Gloria Burgle wasn't it? Before I got diverted. And her lack of presence despite her investigative persistence and tough-talking. Automatic doors refuse to open unless she waves her arms like an air traffic controller or someone else gains entry or exits; faucets in rest-rooms won't shed one drop of water even if their function is proven. I'd like to affirm it's a common problem because I share it but I know, beyond any doubt or stretch of the imagination, it's most definitely not that. No, I'm in some place, foreign to the masses, which fails to sense even my finger taps. Where am I exactly? Dunno.
Picture credit: Gloria Burgle (Carrie Coon), Fargo, series 3.
Duh basic English 101. Yeah, well I don't believe in creative writing instruction - I'm not a writer. I just write, spin whatever yarn comes out, you know. To hell with structure and gripping the reader. I mean really who cares?
Though that's not true; I do, but formulating how to put thoughts down on a screen page so that a reader, any bog-standard reader, might get them takes time, too much sometimes, and interrupts the flow. The beat, man. And so in this instance I'm divesting myself of it. Whoa, that's a big word: divesting, and I'm pretty sure it's not one I've used before. In a sentence. It's not usually the type of word I'd choose; I'd normally use something like abandon or remove. Oh well, it does the same job.
Anyhow, if I haven't completely lost you, let's go back to the beginning. In the beginning was the Word...no, that's not what I intended...try, try, try again. In the beginning...nope. At the beginning...at the beginning was Fargo. Year 3 with Ewan McGregor. Yes, yes he gave an excellent performance as both Stussy brothers, but it's chief of police Gloria Burgle I want to talk of, sort of. Because like her I've experienced moments where my very existence is called into question by sensors.
Am I a Hologram like Rimmer in Red Dwarf? Different show I know, but is it a possibility? Dunno. Which is the best way to answer anything you dunno basically. But we'll park that potential theory because whilst there could be some truth in it it's amateurish and I don't know anyone who has that expertise and could tell me definitively whether I am, whether I'm not, whether I'm showing signs of etc. Plus I'm not ready to be a lab rat. Not even if the mad scientist fronting the whole she-bang was strangely alluring. And no, I don't think I'd cope with The Big Bang Theory Sheldon or Howard-type either. Can you imagine? No don't! Primo Levi from what I've read (and if he were still with us) would be more inducive, but then his field was chemistry, metals and paint. Oliver Sacks? Hasn't he too departed?
So now you'll have got it into your head I'm a science dork with a penchant for extremely dark but laughable criminal acts. Actually, perhaps that's not far off the mark. The last part anyhow.
No, no, no what am I saying? That's way off. Way, way off. Science, pah! I know nothing. Well ok, some but it's a jumble and essentially worthless. I couldn't string anything together and present it to you here. It would take years. How long have you got...?
Criminality? I'm an ignoramus. The deeds others do, even minor ones, blow my mind. Not necessarily the impulse but why the execution. A thought has the same result but nobody gets harmed. Though I'm not sure a thief would be happy with virtual spoils. Would you be if that was your profession? Please circle one of the following: Bank Robber/ Store Thief/ Fraudster/ Embezzler. I mean nobody would openly admit to it would they if it became a thing on a form, though less I think for the disapproval than the removal of risk and confiscation of stolen property. Hmm, perhaps we're all just petty crooks in one shape or another? Love a bargain me. Yet I think I've just flunked the criminal class of '18 don't you? Too goddamn honest. It should be my middle name.
Glory be my name. Nope, wrong again. It was Gloria Burgle wasn't it? Before I got diverted. And her lack of presence despite her investigative persistence and tough-talking. Automatic doors refuse to open unless she waves her arms like an air traffic controller or someone else gains entry or exits; faucets in rest-rooms won't shed one drop of water even if their function is proven. I'd like to affirm it's a common problem because I share it but I know, beyond any doubt or stretch of the imagination, it's most definitely not that. No, I'm in some place, foreign to the masses, which fails to sense even my finger taps. Where am I exactly? Dunno.
Picture credit: Gloria Burgle (Carrie Coon), Fargo, series 3.
Thursday, 17 May 2018
Worlds (and Words) of Yesterdays
This
has been said of someone else but the same is true of me: (I
have)'...a childlike propensity to question absolutely everything.'
Volker Weidermann said this of Irmgard Keun in his novel Summer
Before the Dark.
Irmgard Keun was a self-confident woman novelist whose books were banned in Germany and who in exile had a romantic relationship with Joseph Roth, whereas I am a shy, far less assured woman with nothing compiled or published in book form (my self-published efforts don't to my mind count) whose passion is reserved for reading...and reading...and finding (to me) new voices, new books; there's no emotionality left for any significant other.
What a sad state of affairs, you might say, but my affairs (of the heart) are quite in order thank you. For nothing fires me up or warms my soul anywhere near as much as gaining knowledge, sometimes useless knowledge but nonetheless knowledge. About peoples, about feelings and perspectives, and about worlds I haven't known and can only come to know through another's research or experience.
This love of words sustains me like nothing else can. Or is ever likely to, for I'm athirst for this nourishment whereas other desires are either fleeting or easily satisfied. Words accompany me from the moment I wake to the moment I bed-down which seems an obvious statement to make as aren't we all surrounded by words in various tongues in such a way? Yet how many of us are alert, really alert to this inescapable fact? Or are led by words – in the reading of them, the hearing of them, and putting them to use – as if they're the teacher guiding the student when really it's the author or speaker doing that job through verbal or written means, who furthermore don't know the people they're reaching, specifically who, in what numbers or what effect their structuring of them will have. Some of these figures reach out from beyond the grave or have been resurrected (by another) to give a different perspective of their life, their character, or to give them the recognition they deserved.
There's always something new to discover, about yourself, about another – known or public – and words are the best method in which to educate and be educated. Pictures have their place but often they need a linguistic context or a descriptive background which naturally words provide. Pictures too can be created in the mind by words - of a time, a place, a land – whereas the reverse, I find, is harder and mainly conjecture.
But then as I remarked at the beginning I have a tendency to question (and doubt) absolutely everything, including at times my own imagination when it's not asking questions of others to which they like myself don't know the answers. Because unlike Irmgard Keun of whom this was written I'm not as sharp-witted though I can be just as headstrong: motivated to know and quick to critique.
I have an opinion and it's mine and that's all that matters which doesn't mean that it won't change or even that I'll share it; or that having gained knowledge or being in possession of facts I'll be able to form one. Sometimes there are no camps in which you feel strongly enough to align yourself with; sometimes there's nothing for you personally to be opposed to but that doesn't mean your interest or learning has no significance. The interest, the almost childish curiosity is the point. Without it, life itself is uncomfortable, especially for those afflicted by such thirst because for them it's not enough to just live and go through the conventional motions. That would be suicide in thought alone if not in deed, though too often it's where these intellectual types wind up, and usually after trying to do the very thing that chafes. The modern world is the enemy, regardless of whether it contains more friends than actual foes.
The present-day, the history that's being made or advancing towards us, can overpower or seem in its pettiness uncalled-for, so much so that I prefer to dive into the past, just like some of the writers in 1936 who in a Belgian seaside town chose to pen works concerning ages past rather than confront what had happened, what was happening. History, removed many steps from you, bears no threat.
Picture credit: Plague Here, Plague There, Plague Everywhere, 1888, James Ensor, Royal Academy of Arts
Irmgard Keun was a self-confident woman novelist whose books were banned in Germany and who in exile had a romantic relationship with Joseph Roth, whereas I am a shy, far less assured woman with nothing compiled or published in book form (my self-published efforts don't to my mind count) whose passion is reserved for reading...and reading...and finding (to me) new voices, new books; there's no emotionality left for any significant other.
What a sad state of affairs, you might say, but my affairs (of the heart) are quite in order thank you. For nothing fires me up or warms my soul anywhere near as much as gaining knowledge, sometimes useless knowledge but nonetheless knowledge. About peoples, about feelings and perspectives, and about worlds I haven't known and can only come to know through another's research or experience.
This love of words sustains me like nothing else can. Or is ever likely to, for I'm athirst for this nourishment whereas other desires are either fleeting or easily satisfied. Words accompany me from the moment I wake to the moment I bed-down which seems an obvious statement to make as aren't we all surrounded by words in various tongues in such a way? Yet how many of us are alert, really alert to this inescapable fact? Or are led by words – in the reading of them, the hearing of them, and putting them to use – as if they're the teacher guiding the student when really it's the author or speaker doing that job through verbal or written means, who furthermore don't know the people they're reaching, specifically who, in what numbers or what effect their structuring of them will have. Some of these figures reach out from beyond the grave or have been resurrected (by another) to give a different perspective of their life, their character, or to give them the recognition they deserved.
There's always something new to discover, about yourself, about another – known or public – and words are the best method in which to educate and be educated. Pictures have their place but often they need a linguistic context or a descriptive background which naturally words provide. Pictures too can be created in the mind by words - of a time, a place, a land – whereas the reverse, I find, is harder and mainly conjecture.
But then as I remarked at the beginning I have a tendency to question (and doubt) absolutely everything, including at times my own imagination when it's not asking questions of others to which they like myself don't know the answers. Because unlike Irmgard Keun of whom this was written I'm not as sharp-witted though I can be just as headstrong: motivated to know and quick to critique.
I have an opinion and it's mine and that's all that matters which doesn't mean that it won't change or even that I'll share it; or that having gained knowledge or being in possession of facts I'll be able to form one. Sometimes there are no camps in which you feel strongly enough to align yourself with; sometimes there's nothing for you personally to be opposed to but that doesn't mean your interest or learning has no significance. The interest, the almost childish curiosity is the point. Without it, life itself is uncomfortable, especially for those afflicted by such thirst because for them it's not enough to just live and go through the conventional motions. That would be suicide in thought alone if not in deed, though too often it's where these intellectual types wind up, and usually after trying to do the very thing that chafes. The modern world is the enemy, regardless of whether it contains more friends than actual foes.
The present-day, the history that's being made or advancing towards us, can overpower or seem in its pettiness uncalled-for, so much so that I prefer to dive into the past, just like some of the writers in 1936 who in a Belgian seaside town chose to pen works concerning ages past rather than confront what had happened, what was happening. History, removed many steps from you, bears no threat.
Picture credit: Plague Here, Plague There, Plague Everywhere, 1888, James Ensor, Royal Academy of Arts
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