The
ugly old God of Katsuragi was so unhappy about his appearance, he was
frightened of daylight. He hid all day behind palace gates and
ordered the shutters stayed closed until the hour of the rat, but at
midnight, although the sky was dark he still kept on his hat: an
elaborate headpiece with a black spotted veil. His servants were
forbidden to look at him directly, but even so he further concealed
his face with a fan like a fine lady.
He took
all his meals in a vast, ornate dining room, which at night was only
faintly lit by the light of the stars and the moon and where he ate
far too quickly. He speared sushi with one end of a chopstick and
drank his noodle broth off a spoon. He had diverged to the west and
so his table manners had digressed to the etiquette of an English
gentleman: two chopsticks were fiddly and slurping was grotesque! And
besides, to pop morsels into his open mouth required one elegant,
long-fingered hand to lift his spotted veil.
After a
late supper, he liked to roam the area of Mt. Katsuragi; sneak into
people's homes or linger near their doorways. He listened to people's
prayers and doubts knowing he could do nothing about them. He'd
forfeited that right long ago when he'd let being a God of the Rice
Paddies go to his head and wilfully refused their requests for a good
harvest, which was how he ended up in his mess: skulking in the dark
in a black cloak lined with scarlet. An ugly old God with
purple-white mottled skin, as if someone had drawn a map on him;
disfigured him with his country of origin.
This
ancient god's reclusive life led him to new secrets. He discovered
what the living did when they thought they were alone or unnoticed.
At the
time of this tale, he spent his nights visiting a dying mother. He'd
been drawn to this woman's strength, despite her feeble breaths, and
caught, as she was, between life and death she'd sucked him into her
thoughts: the mistakes she'd made and the hopes she still held for
her daughter. A daughter, he had not yet seen, but with each night
that he stayed in her bedroom corner, another petal from her
glass-cased chrysanthemum fell. There was not much time... In her
mind, she constantly called, “Akane, come to me.”
When
only two petals were left, a courtesan dressed in brilliant red came.
Crouched by the dying woman's bedside, she cried, “Mother! Mother!
Don't die! Don't leave me!”
The
ugly old God was struck by her beauty, so this was Akane: all in red
with ivory skin, ebony hair and jet-black eyes. To his surprise,
although he always hid in the furthest, darkest corner, she saw him
and unleashed a flood of fury on him, “You can't have her! Not now
or ever – she's mine!” Then she wept as she clutched at his cloak
and begged, “Take me instead, I'll be your companion.”
God
just shook his covered head. He could not lie to this beautiful woman
standing before him in the pale moonlight of dawn.
The
room stilled as the dying mother, with her daughter nearby, found
peace. The remaining chrysanthemum petals fluttered with her last
intake and out-take of breath, then drifted to the floor of the
glass case.
With
her mother's final breath, Akane realised her error, “I don't know
what kind of god you are, but take me anyway.” She said in a broken
tone, “You have sat with her when I could not...' She stifled a
sob, “...let me see your face.”
The
ugly old God walked into the light, saying as he drew aside his black
spotted veil, “Tell me honestly: Is this picture not well done?”
Akane's
expression as she looked upon his face did not register anything; her
gaze was unwavering and burned into his skin as she studied him. “A
mix that only Nature's hand could make beautiful and interesting. A
face I can love.”
With
those words, the newly-declared handsome God wrapped his black cloak
around his brilliant red beauty.
*Inspired
by passages from The Pillow Book of Sei Shonagen and Shakespeare's
Twelfth Night