Animate
beings made up of words have words tattooed inside their skin, like
the silk lining of a suit jacket or winter coat; then there are those
whose cells diffuse colours in vivid hues in the style of a Jackson
Pollack; and then those whose every pulsating organ is a musical note
as if to emulate a great composer like Bach or Debussy. A smaller
number secrete chemical names or mathematical equations through their
nostrils and the Ah of their breath, while a select few have no inner
inscription for their ability outwardly manifests: these are the
athletes or dancers whose performances are fuelled by an interior of
flames.
Of
course, there's commingling amongst these beings. Like attracts like,
opposites are drawn to one another, for all beings either want to be
on the same wave or to have what they lack, to make themselves
stronger or complement. Such pairings or interactions are often
improbable and yet somehow they work, and though observers need a lot
of convincing as to their authenticity, their output when together,
either as a couple or in a professional collaboration, has a rare
quality that mightn't have ever been achieved if they hadn't met or
stayed apart.
The
art, in whatever form it takes, is alive, is life itself, so that
whomever crosses its path, by chance or on purpose, is instantly
enamoured. In love with the finished result and the idea behind the
idea: the inspiration or random thought that sparked the creative
process, which in turn arouses further curiosity as to who is the
artist and whom or what is their guide, for it's always presumed with
works considered great, in their present time or at a later date,
there is such a muse, a critic, a rational voice, a borrowed ear.
Someone that provides encouragement and objectivity and works almost
as tirelessly as the artist. A someone that can nurture and nourish,
and be brutally honest when their opinion is sought, somehow able to
frame their critique in a manner that's permissible; a someone who
can contend with the artist's rages and despondencies, as well as
their retreats and peaks when a piece is progressing well; and a
someone that won't abuse the trust laid on them and can cope too with
being the artist's crutch.
Those
who people the art world in all their glorious shapes are not, as
might be imagined, always natural exhibitionists, which is why a
staff comes in handy to lean upon and can often prove as essential as
a sound pair of walking boots: good support is needed for long,
exhausting journeys where the destination always seem to lie beyond
the next hill or the next bend in the road. Artists for all their
supposed swagger are modest and, although by no means all tortured
souls, are more often than not under considerable strain. Creation
releases and burdens. At best, they are consumed, focussed yet able
to engage; at worst, preoccupied, grappling with details and
inattentive to everyone and everything else.
What
goes on in an artist's brain is hard to explain because art, whilst
tapping into the imagination, is a process of delayed gratification
which often comes in dribbles, say in a single brush-stroke, a
sentence, a note; sometimes it's delayed until the very end or
decades after its making, although dissatisfaction too can also be
true of these instances.
Art is
never motionless, it has its own stream of consciousness, even when
it's divorced from its maker. Words move like waves on the page,
sculptures are fluid and life-like, paintings envelop you, music
swells emotions, carries you with its mood and rhythm, dance and
athletics bring forth a surge of endorphins that cannot be equalled
by any other activity. Makers embody that energy, but onlookers are
touched by it too, which means we all take part in the evolution of
art.
Picture Credit: Rene Magritte, Title Unknown (ABC Gallery)