I
dreamt of snakes being roughly shaken in a terrier's mouth. Their
heads and tails weaving as if being lured by a pipe from a basket as
the terrier throttled their middles. Neither the snakes nor the
terrier seemed perturbed; neither side on the attack, this was play,
whereas I looking on felt only dread. A dread of what might come,
even though I saw the fun, when the game wore itself out. A dread of
snakes, since these were only the width of a skipping rope which I
presumed to be venomous. A dread of how to go about stopping it, for
my instincts rather than my intuition said it should be stopped but
how?
This
wasn't a dog-fight, these snakes weren't a stick or a ball and this
particular terrier I knew wasn't a listen-to-command-and-do-as-I-say
type. Terriers generally aren't at the best of times and definitely
not when in possession of a stick, rope or ball, or even a car tyre,
nor when in pursuit of a pigeon or squirrel. They race down the
garden or stand guard under a tree, hell-bent on their course of
action, despite their owner's protests, to see off danger or just for
the hell of it, really. Terriers are stubborn creatures, especially
if they're of the Bull variety and nevermore so when it comes to what
direction to take on a walk or even to go on a walk at all. Like a
toddler in a temper (without the howling) they turn rigid and refuse
to budge, unless you mollify them some way or do exactly what they
want, and then they trundle along quite happily and strut like
Travolta.
Smug.
I'm a Kool Kat, though I don't associate with those spelled C-A-T.
Yes,
terriers are a comedic breed.
So,
in the dream this knowledge I had of terriers and of this particular
bullish one was a help, but not a help if you know what I mean. I
danced on the sidelines feeling powerless, though nothing untoward
(that I remember) occurred: the terrier continued to vigorously shake
the snakes in this mouth and the snakes continued to wave in a
distinctly gloating manner with their dark gem-shaped eyes fixed upon
me.
There
was no conclusive end as you might expect from a fairy tale of either
romantic or hideous proportions, just a fading or a waking, I'm not
entirely sure which. Though I like to think the snakes turned into
silk scarves like those tied end to end and pulled from a magician's
hat or the sleeve of some willing volunteer, and hung there limp and
bedraggled. Or they turned into a string of sausages, which from a
terrier's point of view had it been their dream would have been more
creditable, especially if they were stolen say from a table or a
window ledge as then the game would have been far more delicious and
worthwhile.
But
those are waking fabricated endings. The dream I'm sure wouldn't have
taken that direction, and if dreamt again would be different to that
described.
Where
do dreams go once they've been half or fully-realised? I never
experience repeats; I never return, nor it seems dream of similar
scenarios and on themes I recognise. Though it could be in sleep I'm
denser than usual, which would mean I contravene the experts'
opinion: my brain is not susceptible at night. But then I too share
the terrier trait of inbred stubbornness, so if I proved
insusceptible I wouldn't be surprised. It would be a straightforward
case of mind over matter.
Perhaps,
dreams, realised or unrealised, go to an island somewhere. A dead
isle. Where they are merged with others to form a brand new undreamed
vision that will wait for the right person to be born or to be in the
right place to dream it. Perhaps they're all just catalogued in a
dream-paedia: date dreamt, who dreamt by and their location, and the
different versions that then followed: what they were later spliced
with. It would be a vast task for whomever had to manage it, so
there'd be minions: clerks, transcribers, supervisors and incinerator
workers and the like, unless it too has moved into the digital age,
to be run by electricity and technology. Surely not, surely if such a
dead dream isle exists its operation would be mostly telepathic
rather than use even our new modern means to manufacture night dreams
that seem random to us like a CD player picking the order of play but
in actuality aren't at all. A fascinating concept don't you think?
with shades of Philip K. Dick or Margaret Atwood.
Picture credit: The Isle of the Dead, 1880, Arnold Bocklin