Why
is it you don't notice seismic shifts when they occur? It's only
later, much later, you realise a change happened, but when you can't
say. It's too long ago, and that person, that other person, the one
you were then, in that decade, seems dreamlike. A dream you that you
know once existed yet now feels imagined. Almost as if that person
were a distant cousin you hear of but never see. Someone that
survives in the mind only, and only then tenuously.
The
link not as strong as say to the child-you. Or to the adolescent.
Which
is the act: now or then? Neither?
Did
a mask fall? Or has a mask been put on?
Why
do I always ask myself questions I can't answer? Or to which a
different answer will always be given depending on when it's asked.
It's
pointless to carry on with you even at this early stage, but by that
do I mean me or you, the reader?
I
don't know. I'm going to carry on typing. See what happens. And you
can stay too, or go. Who cares whom I'm talking to: to a past me, to
present me, to anybody out there, even an alien form, to people who
might wake up one day and feel the same way: find it hard to
recognise who they were, and where they might have gone?
There's
no clues. That person must have just upped and left. And you can't
conduct a search for them, put up posters in shop windows and on
lampposts, for you share their physicality, if not their personality
or persuasions. Doing that would waste everyone's time, and besides,
they're not coming back. They're never coming back. And they can't,
they won't be found.
Yet
it's not loss I feel, just bafflement. Why?
Did
their leave-taking happen so gradually it went unnoticed? By me, by
anybody... for years, until not a remnant (other than the same eyes,
the same nose, the same mouth, the same hair, the same general height
and weight give or take a few inches) remained. Perhaps I've been
lucky in that regard...perhaps in other cases appearances
dramatically alter too...?
So
if it's not sadness and it's not a mystery I can solve, then what is
it? This. This wondering. Is it more why didn't that person want to
stay? Was there a reason she couldn’t? Or was their a door at which
she could have come back through but I closed it? Chose to without
even realising, and now she's so illusionary it's just not possible
for her to ever re-enter. She's too much of a figment, like a
fictional character I empathise with but feel separate from. That
could be me, it was once me though it seems hard to believe because
now it's not.
I
never imagined I'd be holding this conversation with a screen; in my
head, sure. I hold plenty of discussions up there, not that I ever
make much headway. Ha Ha. Too many questions infiltrate and disrupt
the A. of the session. Too curious to want to know the answers, if
there are any. Too incurious to listen.
It's
just one of those things isn't it? An age. A phase. You outgrow
yourself. Become someone else. Mature. And look back and think: who
was that?? Possibly think: she was more fun than me. Or played a very
good game, convincing herself and everyone else.
Hmm,
or is she doing that now? But then you end up talking about the
current you in the third person, which means, although inward
looking, you're outside yourself almost twice over. A 1.5 observer.
More than half of who you are living in a dream. Do I do that?
Some
would accuse me of being unrealistic in my dealings with this modern
world. And I am. I'm not ashamed to admit that or be straight about
it: I don't like it.
Do
I like myself in it? Sometimes. I like me if I can keep abreast but
mostly stay cloistered; I like myself less if forced to apologise for
not adapting to its terms. Essentially, I feel got at if made to
apologise for being me. For liking me as that uncompromising person.
Who, for all her doubts concerning other matters, won't be swayed.
See,
there's that third person again; it's too easy to dissociate myself
from the subject. Perhaps, that's the crux of it – there are and
have been many mes shared with this world, so that recalling any with
any certainty or without that dreamlike quality proves problematic.
Picture credit: Femme assise, en robe bleue, 1950, Jean Metzinger
All posts published this year were penned during the last.