Ordinarily
I wouldn't discuss my insides with anyone, not even girlfriends or my
mother. Much less a doctor, if I can help it, or even a blank page
which only my own eyes will read. So why do I feel I want to describe
how I feel about my insides here?
Because
I've decided it's time to lay myself open. Because I've read what
other women have to say and my perspective opposes theirs. Generally.
And some do journalise it, their cycle, and how it impacts their
moods, their creativity. I'm not about to do that; I couldn't anyway
as those fruit-bearing years I think have passed, but that angle
interests me.
I
was surprised to discover in An
Interrupted Life: The Diaries and Letters of Etty Hillesum 1941-43
her musings on her 'accursed insides of mine.' How it affected her
moods, disturbed her work and impacted on her feelings for others.
Why it made me pause I don't know...for after all she was
twenty-seven-year old female and subject, like all women, to these
changes in 'blood circulation', yet it occurred to me that in certain
entries these events, where mentioned, were an influencer. Etty
recognised that and chronicled it. She was aware of their inward
effect on her outer person. This isn't unheard of or unknown of, but
words aren't usually given over to it in quite the same manner.
Unless I haven't stumbled across the right diaries or diarists.
Her
openness also reignited in me my (stupid) requisite for privacy in
anything relating to my internals. I don't even like it when my guts
gurgle! And in my own journals (when I kept them) downstairs barely
gets a mention. But also I'd forgotten. Because I'm not troubled by
any of that any longer, and Etty brought it back.
Of
course, Etty's diaries and letters during those years offer much more
than that, but I like the fact that the appearance of these natural
phases were erratically noted alongside her internal journey and the
issues of her time: that of war and German occupation. In terms of
reading, she's the older Anne Frank, and you might from her picture
be mistaken in thinking it could be Anne, grown up. But Etty is her
own person and, I would opine, more given to introspection. A few
stages on in maturity. And experience.
Periods:
ages and stages of development and ages of maturity comprise women.
As they do men, but I can't speak of the male with any authority,
other than that observed and then only poorly since I don't have any
siblings and only one male cousin who I don't see. I'm not sure I can
speak of women! Not on behalf of them, because whilst collectively we
share these same stages (and the same anatomy) we all experience (and
appreciate) them differently. Or don't share the same feelings about
them. Some of us also skip some stages, pregnancy for example, or
have a shorter procreative window.
A
fertile woman is fertile in other ways, that seems to to be general
view; that because you can create life you are also productive in
moods and emotions, in art and ideas. An inner energy can manifest
itself outwards, but it can also stay inside. A woman is neither one
or the other on each occasion, or throughout i.e. intense or
contemplative, it will vary. The mind will race or wander, the body
may retreat to a quiet, safe corner, or dash about. Everything may
instead seem and feel more leaden, or be heightened incredibly. And,
of course there may be some physical discomfort, even debilitating
pain. Tiredness, depression and rage, as well as leaps of joy.
None
of that is false, but none of it is entirely true either. Yes, as
women, biologically we're more susceptible to those peaks and
troughs, and often governed by them, but none of that stops when this
process comes to an end. Yes, menstruation can compound thoughts,
feelings and ideas, but when that (blood) flow dries up we don't then
identify less as female or feel unwomanly. Neither do we disappear,
nor stop being creative. We still listen to our insides – try to
make, to take something from the dissociated headaches, stomach and
back aches, from the hormonal fluctuations.
Though
I couldn't do it, could I? Talk about my own insides. In anything
even closely resembling the detail I imagined.
Picture credit: Even Song, 1930, Agnes Lawrence Pelton, WikiArt
All posts published this year were penned during the last.