Thursday, 13 January 2022

Colmbus Glacialis

The loon came and made my flat 'ring with his wild laughter' shortly after I'd risen from my bed. Though here I disagree with Thoreau's description (in Chapter 12, entitled Brute Neighbours of
Walden), for this distinct call sounded more to me like strangled vocal chords. An operatic singer, or a person with pretensions of, warming their vocal chords on a cold morning. I immediately likened it to Florence Jenkins, with its occasional shriek as if she'd been pinched or surprised.
Taken aback as I was by this warbling I had however heard a loon! And courtesy of the radio too. No waiting out in woods or by ponds to capture it. I would have had a long wait had I tried for I reside in Old England, where of woods and ponds though there be plenty of loons there are not. And anyway, loons, judging by Thoreau's noted experience, seem devilish characters, of the classic cartoon variety where their laugh is the last and loudest.
Thoreau's pursuit of the loon has provoked, so it seems, much analysis. The bird symbolises purification and rebirth; it represents what Thoreau is searching for: to reach a unity with nature and likewise separate himself from society. I have to confess I didn't see it quite like that, nor did I probe this passage or any of Walden, really, that deeply. I took this passage at face value, as what Thoreau himself said it was: 'a pretty game... a man against a loon.' No more. Perhaps I've read too many other examples of man outwitted by birds and beasts, and so this didn't strike me as being representative of any deeper meaning. Why does it have to have one?
I wondered then how the war between the red and black ants was dissected, but didn't dare research further, for it would only spoil my remembrance of that section. The battle, as unfolded by Thoreau's masterful prose, had shades of, and was as good as the Iliad in condensed form. Only one who was well-read and knew his history could have written so eloquently, could have drawn you in and pulled you along with the action, the futility and the destructiveness of it all, and yet made you yearn, however rightly or wrongly, for the ant contest not to end, for the words at least to go on.
And go on they do with other matters relating to nature, both man and creature, whilst earlier chapters still echo, particularly that of Sounds with its screech owls that sigh and reply Oh-o-o-o-o that I never had been bor-r-r-r-n!
In his conclusion Thoreau remarks '...how easily and insensibly we fall into a particular route, and make a beaten track for ourselves.' My mind keeps returning to Walden, having read it only once. It took Thoreau a week for a route to be established, it took my mind two. His 'feet wore a path from the door [of his hut] to the pond-side'; my imagination dug a permanent course to Walden Pond, in Concord, Massachusetts.
This path Thoreau could still recall five to six years after he had re-joined civilisation, as if his mind had never left, or a part of his soul had stayed behind.
When time hangs heavy men build, sometimes castles in the air, sometimes huts in woods.

Picture credit: Pond in the Wood, c1496, Albrecht Durer (source: WikiArt).

Written December 2020.