A
stream of consciousness that sets its own pace and pulls the reader
with it; words flow like water, a few stops, a few capital letters,
but mostly commas and semi-colons. A small sea of thought that grows
vast as the questions come faster and expand; its waves increasing
and building. The inner turmoil of people, of women; the conflicted,
doubting self. Philosophic fiction. That is Clarice Lispector:
unafraid of breaking rules; unafraid of honest prose. Unafraid, too,
of showing us
to ourselves. Alone, inside our own system, we know how to feel and
act; with someone we contain ourselves and become unknowable. We ask:
will we work? are we working? do I have regrets? The answers changing
each time they are returned to: perhaps in the words alone or the
tone, if not the actual meaning of the response; perhaps in how we
tell the reason or story to ourselves. I felt this...; I felt
that...; I thought...; I didn't think that...; and then the
inevitable, beginning with: if I..., had I..., would I.... always
trailing off with dot, dot, dot. These unrealised paths visited
often, for it is here
a stream of consciousness leads.
Picture credit: On the Stream of Life, 1896, Hugo Simberg (source WikiArt).
From journal, November 2021.