Thursday 8 October 2020

Table in the Forest of Humans

My social skills leave a lot to be desired. I eat nicely, well, I try, but some things just aren't meant to be tidily ate; I sip drinks politely, I try not to gulp or splutter; but my eyes if they're not on the plate or the teacup won't be on you, they will be looking over your shoulder, and sorry, too, but my mind won't be giving you its undivided attention.
How rude! Yes, but it's best to be honest about these things.
Things, such as unspoken rules. And the breaking of them. In public.
Mind you, those I break seem slight compared to those I've seen broken. And I don't break them deliberately, consciously; my focus – gaze and concentration – splits, drifts away. Three-quarters on whomever I'm with, one-quarter fixed on those around us. Human behaviour is so interesting! Where the rules I hold aren't held by these.
So if I'm appearing to be impolite I don't mean to be. Public places are like zoos to me.
And it takes a lot of will to direct my gaze back to you fully. I may not be able to avoid commenting on something I've seen either, although I will of course apologise for the interruption.
On occasion I have tried to seat or position myself where I won't be distracted but that just makes me fidgety and uncomfortable, like I have an itch I can't scratch or am in desperate need of the lavatory, and that I think is worse, for it poses a question: when can I leave? Or chants: out, out, out! Out of here! And not only that, it suggests boredom, too. That is not the impression I wish to give, for although there might be a smidgeon of truth in it it's not true. I am interested. I am engaged. It's just my eyes and mind need something other, other than the persons I'm with, to work upon. They need background life, not a wall, a pillar or a plant.
I wonder that I don't take myself out and just sit. But doing that is somehow self-conscious making. I then feel as if I might be watched and I grow more and more awkward as that feeling increases. I fiddle with my clothing, I rummage in my handbag, I study something, a piece of paper, my hand. I cannot eat or drink in an open space, designed for that purpose, alone. Could I sit in the dark, in the cinema? I don't know. At home those concerns don't exist; they melt away.
Has my own compulsion made me this way?
I can't resist the impulse to observe but to be, to feel myself, observed unnerves me. Have I made myself so sensitive to these tendrils of observation that I'm aware of it where others aren't?
Observation, like any study, raises questions. For the examiner and the subject. The two cannot be divorced. Animal examines man; man examines animal. Animal examines animal; man examines man. Animal and man examine the world: all the objects they see and sense in it. It's what makes us so similar.
So, at home, unexamined and not examining, I scratch my head, I stroke my leg, I push my glasses back up my nose to rest on its bridge; I sit at ease, unconscious of self, whereas at a table in the forest of humans I know the observer is also being observed. A woman adjacent just flicked her eyes over me; the man standing behind the deli counter with a smile plastered on his face did the same an instant ago. Both knew I knew; both knew I saw. For I am forensic-like. I miss nothing.
I don't miss the mother, her arms round a child of two or three on her knee, smashing, smashing with a fork a jacket potato; the father, at a different table, feeding his baby, licking the underside of the spoon before propelling it towards his son's gaping mouth; and that same father then demolishing a substantial plate of food: shovel and swallow, shovel and swallow. Finished, he looks at his wife with a hopeful dog-like expression: more? but she is not in accord with him. She's still picking and chewing, picking and chewing with an expression of disgust, almost of horror. Her face registering every mouthful; his stomach nothing. He hunts.
I need no binoculars; no land vehicle, to follow at a safe distance; no bushes or trees to further camouflage me; no specialist equipment at all. Just plain sight.

Picture credit: Garden Restaurant, 1912, August Macke (source: WikiArt).

This post was penned in 2019.